I’ve seen Porridge loads of times of course but often out of order. Watching it in order gives a different perspective… for example, it’s obvious that Ken Jones as Bernard "Horrible" Ives was originally set up to be one of the main antagonists but for some reason this doesn’t quite work out. Perhaps because it’s never entirely clear what Fletcher has against him apart from him being untrustworthy …which is something that could be said for many of the inmates… somehow they don’t pull this relationship off and in some episodes Fletcher’s attitude to him borders on bullying.
Things really kick off when Fletcher and Godber share a cell which doesn’t actually start to happen regularly until half way into the first series. There are so many great actors giving great performances in Porridge it’d take too long to analyse them all but of the secondary characters Fulton Mackay as Mr Mackay and Brian Wilde as Mr Barrowclough are the surely most memorable in my view alongside Peter Vaughan as "Genial" Harry Grout who although he is only seen in three episodes and the film (made after the series had ended) drives many of the plots as an unseen character. Brian Wilde as the perpetually timid, manipulated and henpecked Mr Barrowclough is my favourite - particularly in the pilot where he and Fletcher end up marooned in an empty house on the moors together after the prison van breaks down because Fletcher has urinated in the petrol tank.Due to the authorities not allowing filming in a real prison the amazingly believable prison interiors were largely shot at Ealing studios in a set made around disused water tank for underwater filming. Clement and La Frenais used “How to Survive in the Nick” by Jonathan Marshall as reference for lots of the technical details of prison life. Although there’s no cohesive “season arcs” as there would be there is a sense of a continuing narrative and there are some memorable recurring characters some of which evolve over multiple episodes. Particularly David Jason heavily made up as older inmate Blanco Webb (odd to look at now he’s the same age as Blanco) and always-good-value Maurice Denham as the Honourable Mr Justice Stephen Rawley who put Fletcher inside now himself facing corruption charges.
Included on the DVD is a vintage documentary where a man I vaguely recognised encourages us to vote for Porridge as “Britain’s Best Sitcom”. I recognised the presenter but couldn’t place him till the end credits which revealed him to be Johnny Vaughn (no realtion to the late Peter and who’s greatest claim to TV fame was being the host of the Big Breakfast and would have been about at the height of his fame at this time). Of course what the audience probably wouldn’t have known then but we know now is Vaughn had previously been to prison himself for dealing cocaine for several years when he was 21… which may explain why this is favourite sitcom… Prison certainly changed Vaughn’s view of himself. As he told thelondonpaper.com“At the time I tried not to take responsibility in the sense that if the cops hadn’t set the crime up there wouldn’t have been a crime,” he says. “But if you say that, you’re a feeble-minded individual. It’s a call you have to make. People always talk about background, it’s part of our blame culture. Choice is a basic human freedom.”
Less Repeated is “Going Straight” which won BAFTA TV Award for Best Situation Comedy in March 1979. Somewhere on the DVDs is Barker giving a moving acceptance speech praising the late Richard Beckinsale who had recently died very suddenly at only 31. Of course Going Straight isn’t repeated as much and the general opinion on it seems to be that this is because it was a bit of a failure, but actually it scored respectable ratings.
Part of the reason is perhaps that the situation isn’t as good. The general format of sitcom is trap your characters in a situation from which they cannot escape – and prison is the ultimate situation from which one cannot escape. Perhaps another part of the problem is that the episodes cannot as easily be viewed out of order. Going Straight is a continuing narrative, starting with Barker having been released and sharing a railway carriage with Mr Mackay who has also left Slade Prison due to compulsory retirement (that was a thing then) and moving on to his readjustment to home life. It explores other themes after that relating to Fletcher’s ambition to “go straight” such as dealing with unemployment. Fletcher filling his days with his own DIY to alleviate the boredom reminded me of my own spells on the dole.
Interestingly Fletcher purports never to have previously had a job of any description which underlines his famous opening monologue about his profession being breaking the law. For some reason this made me think of Stephen Yaxley-Lennon although of course he had a job in aerospace before being shown the door when his hobby of being a football casual… sorry, don’t know why we went on that tangent.
David Swift of “Drop the Dead Donkey” fame turns up as Mr McEwan, Fletcher’s eventual employer when he finds a dead end job as night porter at a small hotel. The thing is that eventually when Fletcher doesn’t succumb to the lure of crime again, there’s really nowhere else for the sitcom to go anymore … it’s just going to turn into an ordinary sitcom … and what’s the point of that? After all, it breaks the cardinal rule of sitcom – offering an escape.Patricia Brake’s 1970s costumes are proper fashion flashback territory…
Fletcher’s final appearance is in the Mockumentary Life Beyond the Box (2003). Unfortunately, whilst this is available on Youtube the Porridge and Going Straight flashbacks are obscured for rights reasons whilst the BBC couldn’t get the Mockumentary on the DVDs for rights reasons so you have to use your imagination to join the bits back together … but it’s worth it as there’s an enormous attention to detail to the backstories of all the original characters with Peter Vaughn, Tony Osoba Sam Kelly, Ken Jones and Christopher Biggins and Ronnie himself all reprising their original roles and Clement and La Frenais helping to provide the words to show what has happened to them in the intervening 25 years…