Having wandered through the whole of Star Trek The Next Generation on Netflix I’ve now wandered on to Deep Space Nine … and what a strange thing it is. I’ve tried to categorise it as a format (because who is happy unless they can put something into a box?) and I think the nearest to anything else that I can place it is it seems to be a cross between a Western and Minder.
It really seems an excuse to explore the various races
encountered in TNG. Primarily the
Ferengi (the ones with the big ears), the Bajorans (the ones with the crinkly
nose) and the Cardassians (the ones that look like lizards).
The breakout character in the series is Quark the Ferengi
bar owner. Throughout TNG Captain
Pickard is often bleating that the Federation has eliminated want and greed –
particularly when reviving cryogenically frozen people from the past. However, DS9 reveals this to seemingly be
total baloney as the space station’s inhabitants and the Ferengi in particular
are obsessed with bars of “gold pressed latinum” and dodgy dealing. The hyper capitalist Ferengi who are supposed
to be a satire on 20th century humans live to rip people off –
indeed it’s part of their religion which has some 285 rules of acquisition” which someone called Jonah
Goldberg compared with the 613 Commandments of Judeism. He also complained that their ears being big
was somehow the same as Nazi caricatures of big nose Jews. Well, Spock has big ears and… but I suppose
Spock is not a negative depiction. The
again neither is Quark really. He’s a
man/Ferengi trapped in a system. Then
again perhaps there’s a glimmer of truth here somewhere… I mean, if you’re
going to create a religion for your characters it is probably going to end up
as a portmanteau of existing religions or you’d have to invent it from first
principles… or perhaps Mr Goldberg is seeing what he wants to see… or maybe
everything that is a satire on capitalism gets called anti-Semitic… but it
could just as easily be a satire of the protestant work ethic…? Anyway…
...Quark (Armin Shimerman) ’s bar, which is somewhere between the Winchester Club,
Rick's Café Américain and Café Rene allows for a lot of interesting comedy
plots and double dealings. A lot of
stolen artifacts drive the plots …which is a bit of a plot hole as I thought
the replicators could replicate anything… but maybe even with replication there’s
a way to discover if it’s the real Fallen Madonna with the Big Boobies…. Sorry,
wrong show… but the same rules of farce
are often employed.
Particularly memorable so far is the comedy classic episode “The
Nagus” in which Quark is promoted temporarily to the position of Nagus (or Chief
Ferengi) and finds himself quickly out of his depth as he's no Tony Soprano. In many ways the Ferengi
seem to mirror the Mafia with their close family associations, relatives
prepared to bump each other off in internecine conflicts and obsession with
dubious money making schemes. Well,
closer to that than…
There are nice subplots too.
The relationship between Commander Sisko and his son Jake and Jake’s relationship
with Nog who is the son of Quark’s much put upon underling/brother Rom is
really well done and sets up interesting power dynamics that really drive the
plots forward. Avery Brooks and Cirroc
Lofton have a nice chemistry together as father and son and the dichotomy between
the Commander’s principles and practice are often subtly laid bare. Aron
Eisenberg who played Nog (Jake’s Ferengi friend) is good with Loften too … sadly
it seems Aron died aged 50 of heart failure in 2019…
The inhabitants of DS9 are further fleshed out with Odo (the
shapeshifting loner), Julian Bashir (the enthusiastic doctor), Jadzia Dax (the
one with the parasite inside), Kira Nerys (the Bajoran liason) and Chief O’Brien
(the transporter chief from TNG who has been promoted and is sometimes seen
with his wife Keiko when the production team can afford her)… but it’s Ferengi Quark and his hilarious shenanigans that steal the show.
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